According to this review, the problem is the author kept reverting to stunts and wisecracks and cleverness. It's a dangerous impulse. I've got it myself.
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You've landed at Diana Joseph's Syllabi. I am Diana Joseph; these are my syllabi. I teach at Minnesota State University, Mankato where every student is my favorite. My collection of short stories HAPPY OR OTHERWISE was published by Carnegie Mellon University Press. My memoir I'M SORRY YOU FEEL THAT WAY is forthcoming in March 2009 from Putnam Books.
Syllabi
- Spring 2011
- English 646 Contemporary Prose
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- Fall 2010
- ___________________________________
- Spring 2010
- English 448 Contemporary Literature
- English 340 Undergraduate Form and Technique
- English 101 Composition
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- FALL 2009
- English 640 Graduate Form and Technique
- English 449/549 Writing the Humorous Essay
- English 242 Introduction to Creative Writing
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- SUMMER 2009
- English 101 Composition
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- SPRING 2009
- English 211 Women's Literature
- English 340 Form and Technique
- ______________________________________
- FALL 2008
- English 343 Fiction Workshop
- English 649 Teaching Creative Writing
- English 640 Graduate Form and Technique
- ______________________________
- SUMMER 2008
- English 101 Class Picture
- English 101 Composition
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- SPRING 2008
- English 643 Graduate Fiction Workshop
- English 449/549 Southern Women Writers
- English 340 Form and Technique
- ______________________________
- FALL 2007
- English 343 Fiction Workshop
- English 643 Graduate Fiction Workshop
- English 640 Graduate Form and Technique
- ______________________________
- SPRING 2007
- English 643 Graduate Fiction Workshop
- English 340 Form and Technique
- English 343 Fiction Workshop
- ______________________________
Interviews
- Scott Korb, author of Life in Year One
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- Sam Ligon, author of SAFE IN HEAVEN DEAD and DRIFT AND SWERVE
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- Robin Hemley, author of DO-OVER
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- Midge Raymond, author of FORGETTING ENGLISH
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- MaryElizabeth Williams, author of GIMME SHELTER
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- Jorge Evans, publisher of RockSaw Press
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- David McGlynn, author of THE END OF THE STRAIGHT AND NARROW
- McGlynn, Part 2
- McGlynn, Part 3
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- Paul Maliszewski, author of FAKERS: HOAXERS, CON ARTISTS, COUNTERFEITERS, AND OTHER GREAT PRETENDERS
- Maliszewski, Part 2
- Maliszewski, Part 3
- Maliszewski, Part 4
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Joseph Online
- I'M SORRY YOU FEEL THAT WAY: The Website
- My Red Room
- I'M SORRY YOU FEEL THAT WAY on Facebook
- I'M SORRY YOU FEEL THAT WAY on MySpace
- It's Me. It's Him. It's Them., an essay
- The Devil I Know is the Man Upstairs, an essay
- "Love in the Land of Sweet Tomorrow," a short story
- Interview with PIF Magazine
- Interview with Emerging Writers Network
Writers on Writing
Blog Archive
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- This woman is the author of not one, but two, amaz...
- For an unconventional approach to workshop, click ...
- For a free download of Maureen McHugh's story col...
- W. H. Auden's poem "Musee des Beaux Arts"About s...
- One of my favorite stories in the world.
- A story you should read: click here.
- At the London Book Expo.
- For an excellent review of my latest favorite nove...
- Poetry Q & A with Robert Pinsky: click here.
- Words without Borders.
- I've been waiting for this: click here.
- Introduction for Melissa Brandt's thesis
- Introduction for Antoinette Cole's thesis
- Introduction for Jessica Benjamin's thesis
- Introduction for Bryan Johnson's thesis
- Screenplay writers, click here.
- From today's Publisher's Lunch:Penguin's Knack wit...
- Keep up with literary magazines at New Pages dot com.
- From today's Publisher's Lunch:Poll Asks, Name You...
- This seems to me like buying a Powerball ticket: ...
- Kevin Kopelson's book Sedaris is the first critica...
- Tayari Jones has put together a literary ebay auct...
- According to this review, the problem is the autho...
- Congratuations to LINDSAY! JORGE! DAN! and LE...
- Sedaris Parody
- the sentence has not been put to rest as a unit of...
- Tim Jackson on Humor in the Autobiographical Essay...
- You'll find my essay "It's Me. It's Him. It's Th...
- What We Talked About When We Talked in Workshop: ...
- I'm using this book in Form and Technique this fall.
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